Our guest author today is Pamela Cable, author of Televenge. See below for her bio.
Swarms of finches, wrens, and other tiny birds peck and hunt for food at feeders that hang outside my kitchen window. Even when I forget to fill the feeders, the birds arrive each morning, hoping to discover their next meal. These tiny birds never give up. They are constant, vigilant, driven. Despite the odds and possible dangers, the birds return every day.
Writers are like tiny birds. We beat our heads against one roadblock after another, writing against enormous odds, hoping and believing our next book will land in the laps of readers and on bestseller lists across the country. But even after decades into our career, we discover we must sometimes recall what made us write in the first place and the courage it took.
My granddaddy was a coal miner, but my father escaped the mines, went to college and moved his family to Ohio to work for the rubber companies. I spent every weekend as a child, traveling back to the West Virginia Mountains. My memories of my childhood run as deep as the Appalachian creeks and swimming holes I swam in as a child. My career as a writer was born in the dust laden coal towns of the early 60s.
For me, it is within sanctuaries of brick and mortar, places of clapboard and revival tents transcending time and space, that characters hang ripe and ready for picking.
From the primitive church services of mountain clans to the baptisms and sacraments of robed priests in great cathedrals and monasteries. From hardworking men and women who testify in the run-down churches of coal camps to the charismatic high-dollar high-tech evangelicals in televised megachurches of today. Therein lie stories of unspeakable conflict, the forbidden, and often, the unexplained.
As a writer, it is my desire to transport a readerâs mindâbut my deepest passion is to pierce a readerâs heart. The topic of faith, for me, has a way of doing that like nothing else.
My mother says I cut my teeth on the back of a church pew. I grew up in revival tents, tabernacles, and eventually in grand cathedrals with TV cameras rolling. In the early days, revivals were as exciting as the carnival coming to town and evangelists were royalty. I experienced a world from the sublime to the bizarre. It caused me to weave religion, spirituality, and the mysterious into my stories. Stories that hint to an ancient bridge where the real and the supernatural meet.
Many of my stories are based on truth, shreds of truth, people Iâve known, places Iâve been, and of course history plays a great part in some stories, like Coal Dust On My Feet; a love story set amidst the longest and most violent coal strike in the history of our country. It is truth and fiction.
Mother was a skilled storyteller without knowing it. All I wanted to do when I grew up was duplicate her life. I loved her southern accent and heritage and I felt neither imprisoned nor put off by it. She was a strong woman. But the most precious gift she gave me was a love for the written world, be it the word of God or of Mother Goose. Mom was my inspiration, and one day I picked up a pencil in the sixth grade and wrote my first story. I havenât stopped since. The next forty years played into my storytelling, and after surviving lifeâs heartaches and hardships, it gave me plenty to write about.
A writerâs life is a solitary life. We hope we possess raw talent, unique originality, and gut emotional appeal. We raise the stakes on each and every page and hope, and pray, and believe that some day weâre blessed a bit of luck.
Is it worth the struggle? You bet it is. All you need is the courage of a tiny bird.
Remember when you tackled that first story, essay, article, poem? That was courage. Courage is not confidence, nor the opposite of meekness. Itâs feeling a measure of confidence, and then acting on those feelings. Itâs a quality of spirit that enables you to face the moment, whatever comes, and keep going.
Courage allows you to see, hear, smell, and taste things as they really are. Courage makes you face facts, unfiltered by rosy daydreams. Courage frees you to be creative. It pushes you to prepare for the unknown without obsessing over it. To be open to what may come.
A writer canât be open to new ideas if dazed and confused by fear. Courage enables you to be prepared and wide awake in every situation.
There were times in my youth I didnât write because I was afraid of failing. I didnât prepare for success because I was afraid it might happen. I didnât look, really look, into my past because I was afraid of what I might find. As I grow older, I don’t give myself those options. Not anymore.
Fear is passive-aggressive. Itâs the lazy writerâs excuse for not moving forward. Itâs a great immobilizer, an avoidance technique. Fear puts the focus on what we might encounter, distracts us from whatâs actually there. Courage empowers a writer to pay attention.
In the end, a writer can do without a lot of things. Remembering your journey is not one of them. Courage is the other.
More about Pamela King Cable: Pamela King Cable was born a coal minerâs granddaughter and raised by a tribe of wild Pentecostals and storytellers. She is an award-winning, multi-published author who loves to write about religion and spirituality with paranormal twists she unearths from her familyâs history. Married to a megachurch ministry team member as a young adult, she attended years of megachurch services. Pamela studied creative writing at The University of Akron and Kent State University. She has taught at many writing conferences, and speaks to book clubs, womenâs groups, national and local civic organizations, and at churches across the country. Nearly a decade in the writing, Televenge is her debut novel. She lives in Ohio with her husband, Michael, and is currently working on her next novel.
Click here to view the book trailer.